15.11.04

ventos passados

...
E tinha dezesseis, morava no décimo sexto andar de um prédio verde que não era o mais alto da minha rua, nem o mais bonito. Na frente da minha janela via o horizonte nas montanhas, uma torre de igreja, vários prédios, várias casas e muito verde. Aquela noite o céu estava melancólico, chovia muito e o vento assobiava. Embaixo uma praça, nessa noite estava escura, um foco de luz amarela do único poste aceso iluminava um mendigo que dormia aos pés da estátua de um sujeito que não me lembro quem, mas devia ter sido importante, tinha um chapelão e uma espada enfiada na cintura. A minha direita o prédio mais alto da rua, no topo do prédio á minha direita o vento encanava e fazia um zumbido muito alto, minha janela fechada. Várias gotas de chuva batiam na janela quente que embaçava fazendo desenhos. Eu descalça, um vestidinho que deixava os joelhos à mostra um casaco de lã azul e a cabeça transtornada numa tempestade de idéias, naquela noite triste abri a janela, peguei um cigarro e ao acedê-lo fez-se à luz dentro do meu quarto escuro... Vi meus pés, sentei na janela, e com os pés descalços, balançando as pernas sentia a chuva pingar sobre meus dedos, desenhar sobre minhas unhas, encharcarem meus pés e minha alma, a fumaça entrava pelos meus pulmões e várias lágrimas corriam pelo meu rosto. Implorava para que em mim nascessem assas, assas de anjo ou assas de fada, queria me lançando aos ventos, subira até o prédio mais alto e ficar ali me segurando pelos dedos dos pés, sentir o vento encanar sobre meu corpo, a pressão do vento sobre minha pele, ser engolida pela chuva e subir ao alto, mais alto, mais alto e sumir no espaço. Então dava mais um trago no cigarro e sentia a fumaça invadir meus pulmões...

4 Comments:

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November 16, 2004 at 11:49 AM  
Blogger Bia Medeiros said...

FAR FROM EQUILIBRIUM COHERENT PHENOMENA ARE PRODUCED, NON-EQUILIBRIUM IS THE MOST EXTRAORDINARY MEANS NATURE HAS FOUND TO MAKE COMPLEX PHENOMENA POSSIBLE. HUMAN LIFE, CHEMICAL REACTIONS, SOCIOLOGICAL AND ECONOMIC RELATIONS ... THESE ARE ONLY POSSIBLE BECAUSE THEY ARE FAR FROM EQUILIBRIUM. THE INNUMERABLE INTERACTIONS AND BIFURCATIONS OF EVOLUTION, NON-LINEARITY PROVIDES THE NECESSARY COMPLEXITY FOR THE EXISTENCE OF THESE UNSTABLE SYSTEMS. "FIELDS OF POSSIBILITY", AS UMBERTO ECO WOULD SAY. IT IS THE THEORY ILYA PRIGOGINE EXPOUNDED UPON AT A CONFERENCE PROFFERED IN 1993 AT THE MUSEUM OF CIVILIZATION IN QUEBEC, AND IS ONE WHICH CHALLENGES THE POSITION OF STEPHEN HAWKIN.
ALSO, ACCORDING TO ILYA PRIGOGINE, THE MIX OF EVENTS AND OF REGULARITIES IS CHARACTERISTIC OF THE UNIVERSE. THERE ARE RULES, BUT THESE ALONE ARE NOT ENOUGH. UNEXPECTED EVENTS ARE NECESSARY. AND THUS, THROUGH THE CONSTANT BUILDING OF DEFENSES AGAINST THE ARROWS OF TIME, PRIGOGINE TAKES THE LIBERTY OF CITING THE WORKS OF ART TO UNDERPIN HIS INTERPRETATION OF THE UNIVERSE.
TODAY WE ARE AWARE THAT COMMUNICATIONS NETWORKS CONSTITUTE A VIRTUAL SPACE WHICH THE POSSIBILITIES FOR "LIFE" ARE MULTIPLIED, BECOMING TOPICS OF CURRENT COMMUNICATION, CREATION AND INTERACTION. RADIO AND TELEVISION CAUSE MANY PEOPLE TO PONDER THE MEDIA, HOWEVER, THESE ARE NO MORE THAN FORMS OF DIFFUSION, UNIDIRECTIONAL MEANS OF COMMUNICATION, AND ARE BUT A MEANS FOR PROVIDING INFORMATION WHOSE SIGNIFICANCE IS DIMINISHED BY THE FACT THAT THEY MERELY IN-FORM THAT WHICH IS DETERMINED BY THE BROADCASTER. COMMUNICATIONS NETWORKS ARE COMPLEX AND FAR FROM EQUILIBRIUM, THUS THEY ARE A SPACE IN WHICH BEING, DOING, THINKING, AND THE ARROW OF TIME BECOME POSSIBLE. IT THEREFORE BECOMES ESSENTIAL TO BE AWARE OF THESE REFLECTIONS, HOWEVER, AWARENESS ALONE IS NOT ENOUGH TO MAKE THEM POSSIBLE. IT ALSO BECOMES NECESSARY TO BASE THIS AWARENESS ON DAILY PRACTICE SO THAT THE ARTISTIC LANGUAGES OF THE 21st CENTURY CAN EMERGE.
TO THIS END, THE CORPOS INFORMÁTICOS RESEARCH GROUP HAS BEEN WORKING SINCE 1992, AND THE THEORIES OF ILYA PRIGOGINE HAVE MERELY CONFIRMED THAT IT IS WITHIN THE SPIRIT OF GROUP WORK, ie., WITHIN THE VARIOUS SPIRITS AT WORK WITHIN A GROUP, THAT A TRANS-LINGUISTIC, MULTI-UNDERSIGNED WORK, THAT ART BECOMES POSSIBLE, REGARDLESS OF THE FACT THAT THE ESTABLISHMENT (OF THE CRITICS AND CURATORS, OF INSTITUTIONS, AND EVEN OF ARTISTS) IS AS YET INCAPABLE OF COMPREHENDING THIS NEW CONCEPTION OF ART, OF THE ARTIST, OF THE OBJECT OF ART, AND OF THE PART PLAYED BY THE PUBLIC.
THE CORPOS INFORMÁTICOS GROUP IS CENTERED ON BRASILIA, THOUGH THERE ARE CURRENTLY MEMBERS SPREAD AS FAR AFIELD AS CAMPINAS (SP) AND PHILADELPHIA (USA). THE WORK IN QUEST OF THE FAR FROM EQUILIBRIUM, INVOLVES INTERACTIONS, EVOLUTIONARY BIFURCATIONS, NON-LINEARITY, PHOTOGRAPHS, INSTALLATIONS, PERFORMANCES, VIDEO-PERFORMANCES, NETWORKING, VIDEO-ARTS - THROUGH ACTIONS OF "PRONOIA" (AS APPOSED TO PARANOIA) - WHEREAS THE RESEARCH IS CONDUCTED THROUGH A PROMISCUOUS CO-AUTHORSHIP.

November 16, 2004 at 11:52 AM  
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June 8, 2019 at 8:41 AM  

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